Definitely with highest scope of dance moves, the tune of the song is loaded completely by Additional Synth (D.Imman), Sarangi (Manonmani), Nadaswaram (Balasubramani), Guitars (Keba Jeremiah), Percussions (Kaviraj) and hence the notch of the beat is up. This energizing number in the voices of Anirudh Ravichander and Neeti Mohan with the words written by Sivakarthikeyan, has every listener tap their legs to the beat. Singers - Anirudh Ravichander, Neeti Mohan There is a piece of lush rich music in this version and has a floating shade to the music which may be due to the woodwinds by Nathan and the Indian percussions conducted by Kaviraj. This again is the previous song’s female version sung by Shashaa Tirupati and lyrics is by GKB. The guitars and the Woodwinds together give life to the soulful words by Lyricist GKB. The music is uplifted by the usage of the classical instruments Nadaswaram, Kanjeera, Tavil, and Pambai. Sung by Sid Sriram, the song is in a neutral beat, not too slow not too fast, which makes one bob their head to the beat while taking in the lovable lyrics that so subtly tells the terms of endearment between the siblings. Unkoodave Porakanum just extends the first line of the song, completely explaining the reasons why the brother feels so emotionally attached with his sister. There are certain interludes with choruses that sound little grained, otherwise, the guitar tones in the background are downright delightful and pleasant. The song packs the complete feelings of the lovers with the help of the wonderful lyrics and the tune. The lyrics by Yugabharathi has as usual intricately woven itself around the music, with its pace matching the tune of the song as melodiously as possible. Imman’s every film that has a trademark passionate love song and this song does rise itself to that. Mailaanji is a song that has a highly romantic sway over its listener, in the voices of Pradeep Kumar and Shreya Ghoshal. The lyrics penned by Vignesh Shivan perfectly conveys the bonding well. The music is loaded with a heavy punch of the orchestra with Electric, Acoustic and Bass guitars by Keba Jeremiah, Indian Percussions conducted by Kaviraj and Stringed instruments by Seenu. The song is presented as a musical duologue between the two siblings, both enumerating the best aspects of each other and how they wish to share the same affectionate relationship even in their next birth. Just as the name suggests, the song entirely dwells on the relationship between the lead brother-sister duo. This is a peppy number sung by two masters of the genre Nakash Aziz and Sunidhi Chauhan in Imman’s music. 'Enga Annan' and 'Unkooda Porakanum' songs worked well visually. The songs worked well in the first half, but in the second half, the song sequences are not very engaging, as the film moves slowly, making you restless for the songs to end. Imman's heavy background music during the mass fights and poignant peaks, elevates the emotions which is supplied with the support of good acting and set-up. Nirav Shah provides the necessary rich visuals to the rural drama. Actors RK Suresh, Subbu Panchu Arunachalam, Vela Ramamurthy, Archana, Aadukalam Naren and many other strong supporting roles add good values to the story. The flashback sequence which sheds more light on Sivakarthikeyan family's past, might not look completely satisfying to a few set of audiences, but Samuthirakani delivers his usual best in the short role. Soori's timing comedy works good in NVP, but SK's troll dialogue on Soori's 'timing' clicks big time. He scores more applause than Soori and Yogi Babu. The first half is engaging with back to back quick one-liner comedies which worked well and a special mention to the boy who played Soori's child 'Mundhirikotta' (yes, that's what he's called throughout the film).